
Director
Blocks scenes, works with performers and moves between the floor and monitor.
68 workplace studies across 15 departments. These generated portraits show how TAKE ONE concepts could sit, move and carry on a working day.

Blocks scenes, works with performers and moves between the floor and monitor.

Works through blocking, notes and department questions with the director between setups.

Runs the floor and coordinates the next setup across departments.

Coordinates call sheets, cast readiness, holding and movement between base and floor.

Relays messages, crosses between holding and set and helps move background performers.

Briefs and positions groups of background performers, often between holding and an exterior set.

Moves between meetings, location visits and monitor time with the director and production team.

Coordinates budget, schedule, logistics and practical decisions across the production.

Tracks bookings, paperwork and calls, with frequent short trips between office and base.

Moves supplies between base, holding and the floor, including quick trips outside in rain.

Handles expense records and reconciles paperwork, mainly at a desk with trips to base.

Works with production to identify access needs, communicate adjustments and check how a location works for cast and crew.

Checks lighting, framing and exposure between the floor and monitors.

Frames from handheld, shoulder, tripod or other rigs and changes height repeatedly.

Sets up lenses and accessories and operates focus while watching camera and subject.

Slates shots, assists mark-up and manages media and batteries under the camera team’s process.

Monitors image, exposure and colour at a cart and moves between shaded, cooled and exterior stations.

Sets and moves monitors and handles playback for the director and other departments.

Plans lighting with the DoP and directs adjustments between fixtures, dimmer and monitor.

Coordinates lighting crew and kit and checks what is ready for a setup or move.

Sets up, adjusts and strikes fixtures and cable as directed.

Works around power distribution, generator equipment and task-specific hazards.

Plans camera support and coordinates safe movement of the camera with the crew.

Lays or works around track and moves camera support through rehearsed positions.

Builds and strikes supports and may work at height or around suspended loads.

Moves and positions set pieces or floor equipment and assists resets and strikes.

Monitors and records dialogue, often seated at a cart or working with a bag.

Places the boom and holds it overhead through takes, sometimes turning in tight spaces.

Prepares and fits personal microphones and supports cast changes between takes.

Works between visual planning, set reviews, vendors and the shooting floor.

Coordinates the design’s practical execution and checks the finish, dimensions and changes on the floor.

Resets and maintains props between takes and checks their placement against continuity.

Places and removes dressing, moves around furnishings and dresses low or elevated surfaces as directed.

Fabricates, fits and strikes set components in a task-controlled workshop or set zone.

Prepares and finishes scenic surfaces, from low details to broad panels.

Develops character looks, works through fittings and reviews them with direction and camera.

Coordinates stock, fittings, crew, transport and garment availability across shooting days.

Checks costume continuity, makes quick resets and repairs garments near performers.

Works seated at the machine and stands for pressing, fitting and hand finishing.

Applies and resets makeup, works close to faces and tracks the look across takes.

Prepares hair and wigs and makes standby adjustments with hands raised close to performers.

Prepares, applies and removes pieces, often during long bench or chair sessions.

Tracks action, dialogue, wardrobe and coverage across takes and prepares notes for editorial.

Helps capture and retrieve references and collate notes while moving between the supervisor and floor.

Scouts, meets property owners and coordinates access, amenities and location handovers.

Holds access points, communicates with public and crew and stays in position through changes in weather.

Drives between base and location and may wait, walk and load between journeys.

Moves cases between vehicle, base and set, including ramps and wet transitions.

Prepares meals around hot equipment, food contact and long standing periods.

Sets up service, carries supplies and stands during meal distribution and cleanup.

Works around the edge of takes and changes angle quickly while avoiding noise and reflections.

Captures behind-the-scenes material and interviews while moving among department setups.

Coordinates publicity access, materials and interviews between the office, set and visitor areas.

Plans and rehearses sequences and determines task-specific clothing and protective requirements with the production.

Rehearses and performs assigned action under the coordinator.

Prepares and operates effects under a task-specific plan that can involve heat, materials or moving equipment.

Plans the flight and operates from the assigned position, often outdoors with a controller or display.

Works around boats or water under the marine team’s brief and emergency plan.

Stands by on location and must reach people quickly with an assigned medical kit.

Rehearses choreography and works through repeated turns and changes of level.

Builds scenes and reviews cuts in long seated sessions with the director and other collaborators.

Organizes media and project materials and moves between ingest, storage and edit stations.

Collects reference, measurements and scene data around the camera and set.

Reviews planned effects with direction and camera and checks references and requirements on set.

Records dialogue in a booth, standing or seated close to the microphone.

Works for long seated blocks, switching between listening, editing and reviews.

Grades images in controlled light and reviews frames for extended periods.

Moves between scoring, rehearsal, playing and reviews in studio settings.